RIBA 2030 Climate Challenge: How can we reduce embodied carbon by at least 50-70%?

Doug Johnson

RIBA 2030 Climate Challenge: How can we reduce embodied carbon by at least 50-70%?

After having written an initial blog on what the RIBA 2030 Climate Challenge is all about, we decided it was time to dig a little deeper and focus on the individual areas of the challenge.


This is the second of four blogs on the RIBA 2030 Climate Challenge focused on embodied carbon and how to best reach the significant reductions in carbon emissions through more intelligent building design and materials use.


Current building regulations targets are equivalent to 1,000kgCO2e/m2 of embodied carbon for domestic premises and 1,100kgCO2e/m2 for commercial premises. The 2030 targets are <300kgCO2e/m2 and <500kgCO2e/m2 respectively which, roughly speaking, is a 55-70% reduction in operational energy use by the end of the decade.


To best understand how to reduce carbon, you have to first appreciate how carbon accounts for the whole life cycle of a material or set of materials to start to tackle the levels of a building's embodied carbon in a meaningful way.


Work done by London Energy Transformation Initiative (LETI), using the Royal Institute of Chartered Surveyors (RICS) Whole Life Carbon Assessment framework gives a window into where carbon lies for a particular building with consideration of all embodied carbon and carbon emissions over the building's lifetime. The table below highlights the distribution for a residential building.

RIBA 2030 Climate Challenge poster on reducing embodied carbon by 50-70%, with mesh logo on white and lime background
Life cycle assessment diagram with colored stages from product to use, end of life, and a purple impact box.

As you break down the individual materials that contribute to the whole building, you will find that they follow a similar pattern; large amounts of carbon in the manufacture, processing and transport of the material to the building site.


It is truly staggering to think that by the time the building is first occupied that over 50-55% of the total lifetime carbon impact is already in the building!


Fundamentally, there are four key things to consider to meaningfully reduce embodied carbon in a building:


  1. Repurpose or reuse existing buildings
  2. Reuse, re-manufacture and recycle building materials
  3. Build with low carbon, natural (less processed) materials
  4. Offset emissions (renewable technology or woodland planting)

1. Repurpose or reuse existing buildings

Maybe the most obvious (to some) would be to use the existing building stock that we already have to re-purpose, rather than razing to the ground and starting from scratch. A lot of discussion has been had recently about how ‘eco’ buildings really are if they use a huge amount of carbon in their construction, despite how highly insulated and traditionally energy efficient they might be. As per the diagram above, if large proportions of the building structure can be retained almost 50% of the embodied carbon can be saved compared to a new building.

2. Reuse, Re-manufacture and recycle building materials

The next best option if the form of the building really has to change is to use the existing materials on site and reuse or recycle. A classic example of this is the demolition of concrete structures, on-site crushing and using the demolition material for hardcore for new foundations or floors. With a bit of thought and planning this reusing of materials can not only dramatically reduce embodied carbon but save costs of disposal and transport to site.

3. Build with low carbon, natural (less processed) materials

If the previous two ways to reduce carbon have been exhausted the next best option is to source materials that are lower carbon and more natural. Less processed artificial materials by their very nature have had less energy used in their production and so have less of a carbon impact. Using cellulose or sheeps wool instead of glass fibre and PIR is a classic example, but also using some natural wood products in moderation can help dramatically reduce carbon compared to more traditional masonry and concrete construction methods. As a first step, understand the relative embodied carbon impact of materials familiar to you.

4. Offset emissions (renewable technology or woodland planting)

Finally and as a last resort, particularly for commercial developments you can resort to offsetting embodied carbon emissions by investing in off-site renewable technology; such as offshore wind and woodland planting. There are a growing number of legitimate and recognised companies that support Gold Standard and global projects which can be invested in and offset a project’s embodied carbon.


So that’s the theory, but luckily to put some of this into practice there is a growing range of free tools. These can help you at the beginning stages of your design project to get you headed in the right direction and give you instant feedback:



So, there you go. By taking a logical and smart approach to tackling material selection strategy you will find that meeting the RIBA 2030 targets for embodied carbon can be surprisingly straight forward. It does require early-stage planning and careful balancing with budget and some other key project goals can be achieved, but is within all of our grasps.


If you have any questions about the RIBA 2030 Climate Challenge, please don't hesitate to contact the Mesh team today.

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15 June 2026
Building performance specialist Mesh has completed a building services design project for a new flagship art gallery in Savile Row – Sadie Coles HQ. The six-storey Grade II listed Georgian townhouse in London’s Mayfair, which dates back to the 1730s, has been fully restored and transformed by lead contractor Work Ltd, to create a unique space for contemporary art. The building, once home to the Burlington Fine Arts Club in the 19th century, had been bomb damaged in World War II and used as offices post-war. It has now been sensitively reinstated as a space for artists to exhibit their work in a part of London which has a long association with contemporary art. The key aim of this extensive refurbishment project was to work to a fast-track programme for the gallery’s opening to coincide with the Frieze Art Fair. Mesh was appointed to develop a holistic MEP building services strategy, from concept through to detailed design, and in keeping with the character and constraints of this heritage building. Enhanced control of the internal environment was required to maintain visitor comfort all year round and in the context of continually fluctuating occupancy levels, including events for up to 200 people. Working within a Grade II listed building required a highly considered approach at every stage – historic architectural features were revealed and restored internally and externally, and extensive structural improvements were required to accommodate art loadings. These factors had to be reflected in the services design and specification. Mesh used dynamic thermal modelling for different scenarios of use to understand the heating and cooling loads required and to allow the services to be accurately sized for each room or gallery. Two priorities were cooling and for each area to be individually controlled according to occupancy levels. Discrete but robust heating and cooling provision was designed for the gallery areas and the MEP services were concealed in void spaces to avoid impacting on the architectural features of the building or the layout of the galleries. Plant and equipment had to be sited in compliance with stringent planning requirements, which limited the number, size, position and visual impact of the external units. Passive measures were introduced to reduce energy consumption and included actuated openable rooflights in a glazed lantern to purge warm air during the day and reduce the reliance on the active cooling system. Giles Reid, Giles Reid Architects: “The new gallery has succeeded in its ambition – to reaffirm that London has an important position in the global art world. This was a complex project which had to be delivered in just nine months from planning approval for the fixed deadline for opening, and despite having to carry out extensive structural alterations. The building is performing well from a services perspective, including at the opening event which was attended by around 800 guests. The M&E design in contemporary art spaces like this must never detract, visually or acoustically, from the art being exhibited and this has been successfully achieved. This is a fantastic statement building which has been acclaimed and the Client is thrilled. It is a credit to everyone involved that this historic building has been brought back into use for contemporary art.” Doug Johnson, Founding Director of Mesh: “This project demonstrates exactly what intelligent building services engineering should deliver – an integrated, high-performance solution to deliver year-round-comfort for visitors and users of the building whilst maintaining a clean aesthetic. Working within a Grade II listed building with complex planning restrictions required genuinely creative engineering rather than a conventional response. We are really proud to have contributed to this outstanding building transformation.” The Project Team: Client: Sadie Coles HQ Lead contractor (design and delivery): Work Ltd Architectural partner: Giles Reid Architects MEP design / building performance: Mesh About Mesh Mesh offers a range of design and engineering services to help organisations in the public and private sectors to improve the energy efficiency of new and existing buildings, housing and estates. This includes support for architects; planning; thermal modelling and overheating analyses; carbon reduction strategies; feasibility studies for renewable technologies; MEP design, and regulatory compliance. Architectural images - Joseph Asghar
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